Salvia Plath used to be Run DMT. Same guy (Michael Collins) running the show, but with a different sound. Where Run DMT was lo-fi and took weird chances that sometimes obscured the inherent melodic quality in the songs, Salvia Plath is more considered and hazily psychedelic in a way that helps the songs sink deeply into the listener’s consciousness. On their debut LP, The Bardo Story, Collins and a handful of musicians craft folky, freaky sounds that blend acoustic guitars
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Salvia Plath used to be Run DMT. Same guy (Michael Collins) running the show, but with a different sound. Where Run DMT was lo-fi and took weird chances that sometimes obscured the inherent melodic quality in the songs, Salvia Plath is more considered and hazily psychedelic in a way that helps the songs sink deeply into the listener’s consciousness. On their debut LP, The Bardo Story, Collins and a handful of musicians craft folky, freaky sounds that blend acoustic guitars, wobbly drum kits, various keyboards, flutes, and some jangly electric guitars into a mix that makes up in suitably trippy and interesting sounds what it might lack in fidelity.
Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.
User-contributed text is available under the Creative Commons By-SA License and may also be available under the GNU FDL.
…shrink me down again
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