Cody was born in Surahammar, Sweden (as Harry Kemppainen), and moved to Skövde at age 7. He grew up influenced by a variety of rock and roll guitar players such as Chuck Berry, Scotty Moore (Elvis Presley), and Eddie Van Halen, among others. After finishing school, Cody worked for Volvo, and also served in the Swedish army. He quit his job to focus on music.
Musical career
In 1983, Cody met Tim Skold, a bassist in Skövde, Sweden, and they began playing together.
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Cody was born in Surahammar, Sweden (as Harry Kemppainen), and moved to Skövde at age 7. He grew up influenced by a variety of rock and roll guitar players such as Chuck Berry, Scotty Moore (Elvis Presley), and Eddie Van Halen, among others. After finishing school, Cody worked for Volvo, and also served in the Swedish army. He quit his job to focus on music.
Musical career
In 1983, Cody met Tim Skold, a bassist in Skövde, Sweden, and they began playing together. Two years later, going by the name Harry K. Cody, he and Skold formed the band Kingpin, with Pekka "Stixx Galore" (later "Stixx") Ollinen (drums), and original singer J.K. Knox (Jukka Kemppainen). Cody played guitar on the band's album, Welcome To Bop City, which featured replacement singer, Easy Action’s Zinny J. Zan. Cody's guitarwork earned him notice resulting in a feature in the "New Talent" column of Guitar Player magazine in 1986.
“Welcome To Bop City" was released in Sweden by CMM Records in 1988, and yielded a No. 1 single in that country called "Shout It Out".[5] Later, when released in the United States, the song went to the top half of the Billboard Album Chart. Cody and Kingpin moved to the US in 1988, when they landed a record deal with Relativity Records. Upon arrival in the US, Cody guested guitar on Stu Hamm's album, Kings of Sleep, but remained a part of Kingpin. The band's name was changed to Shotgun Messiah to avoid copyright issues with a San Francisco group of the same name. Welcome To Bop City was remixed for American release as Shotgun Messiah in September 1989. Cody's guitar playing on the album included the song "The Explorer", called by Rolling Stone, "his showpiece instrumental". His work with Shotgun Messiah garnered attention from peer publications such as Guitar Player, Musician, and Guitar magazines. Cody toured North American with Shotgun Messiah to support the album.
In 1990, Cody dropped the K. from his professional name, and continued playing guitar with Shotgun Messiah even as the lineup changed for the recording of their next album, Second Coming. The band's most recognizable hit "Heartbreak Blvd" was culled from album of music that was a hybrid of metal, rap, pop, and classical. Cody's guitarwork was noted by the Chicago Sun-Times as "incendiary" on the project.
In 1991, Cody played guitar on bassist Stuart Hamm’s album, The Urge.
Cody's next work with Shotgun Messiah was the EP, I Want More, released in 1992. The EP included cover versions of songs by the Ramones, The Stooges, and the New York Dolls. For the band's third album, Violent New Breed, Shotgun Messiah was just Cody and Skold. The duo went into a Swedish studio and recorded music that was a combination of industrial, techno, and hard rock influences. The album was released in 1993. Cody's guitar work on Violent New Breed was notably still high energy metal rock, but some of it was actually tracked backwards on the recording for some different sounds. In 1993, Shotgun Messiah disbanded. A year later, Cody temporarily joined the band Coma along with Saigon Kick vocalist Matt Kramer, former King of the Hill guitarist Jimmy Griffin, and ex-Cryer drummer Ricky Sanders.
Cody completed his first soundtrack work in 1998, as part of the band Das Cabal. That band was formed with Rhino Bucket singer Georg Dolivo a couple of years prior. Das Cabal recorded the song "What Do you Want" for the film, Boogie Boy and its soundtrack.
Since 1998 and continuing into the new decade, Cody has been creating television commercial scores for Groove Addicts, based in Los Angeles. Cody was recruited by Tom Waits to play guitar and banjo on Wait's Real Gone album, released in 2004. He also performed on Waits’ Orphans" Brawlers, Bawlers & Bastards boxset compilation that came out in 2006. In 2005, Cody composed the score for the Larry Clark film Wassup Rockers. Cody played the banjo on the song "You Can Never Hold Back Spring", the opening song by Tom Waits on the 2006 soundtrack for the Roberto Benigni film, Tiger and the Snow
Shotgun Messiah
Often criticized for following whatever musical trend was popular at the time, Shotgun Messiah managed to transform from glam to sleaze to industrial with varying results. Originally known as Kingpin, the Swedish band consisting of Zinny J. Zan (vocals), Harry K. Cody (guitar), Tim "Tim" Skold (bass) and Stixx Galore (drums) were making waves in their homeland in the mid 80s.
Their debut album Welcome To Bop City was released in 1988 and featured the group in outrageous haircuts and outfits. With the album doing great locally the boys decided to uproot and head for the bright lights of the late 80s Los Angeles rock scene. Upon their arrival, Kingpin changed their name to Shotgun Messiah, toned down their image slightly and remixed Welcome To Bop City as Shotgun Messiah. The album reached the Billboard Top 100 and the band was doing respectable business. However it wasn't long before San was fired from Shotgun Messiah and they recruited bassist Bobby Lycon (who was best known as a member of The Guttercats that made an appearance on Married With Children) so that Skold could take over vocal duties.
Second Coming was arguably the band's finest moment, but it failed to match the success of the debut album. It wasn't long before Shotgun Messiah was without a rhythm section, but Skold and Harry Cody never missed a beat as they decided to use programming to create the industrial sounding Violent New Breed. The album was a huge departure from their roots and fans all but ignored the release, leading to the bands demise. Skold would continue in the same genre with a solo release before joining bands such as KMFDM, MDFMK and Marilyn Manson.
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…shrink me down again