All Them Witches

All Them Witches are an explosive psychedelic trio from Nashville, Tennessee, USA Employing a heady, D.I.Y. blend of bluesy, neo-psychedelic rock, stoner metal, and progressive space rock, they emerged in 2012. The band's name is taken from a book of witchcraft, All of Them Witches, featured in the 1968 film Rosemary's Baby. Nick Pipitone of Monster Riff described how the band are "influenced just as much by Dr. John and Mississippi bluesman Junior Read more on Last.fm …read full bio

All Them Witches are an explosive psychedelic trio from Nashville, Tennessee, USA Employing a heady, D.I.Y. blend of bluesy, neo-psychedelic rock, stoner metal, and progressive space rock, they emerged in 2012. The band's name is taken from a book of witchcraft, All of Them Witches, featured in the 1968 film Rosemary's Baby. Nick Pipitone of Monster Riff described how the band are "influenced just as much by Dr. John and Mississippi bluesman Junior Kimbrough as they are by Black Sabbath and progressive metal" and that their music can "venture from bluesy riffs and folk tales to spacey neo-psychedelic to punishing doom rock." Similarly, Rob Hughes of Classic Rock Magazine noted how "[All Them Witches are] as likely to create boiling riptides of bluesy psychedelia as they are pools of mystic folk and doomy ambience." The band consists of Charles Michael Parks, Jr (vocals, bass, guitar), Ben Mcleod (guitar, formerly vocals) and Robby Staebler (drums). Formed in 2012, All Them Witches were quick to release their debut, Our Mother Electricity. It consisted of a heavy blend of stoner rock-y guitars and bass, rhodes and powerful, rhythmic drums. This would set the cornerstone for their sound, soon developing into the more mysterious grooves and atmosphere on 2013's followup Lightning At The Door. This release gained real traction for the band and gave them their likely most well-known track to date, When God Comes Back. Taking a break from the creative front, the band released a live album in 2015, featuring a bluesy cover of Albert King's Born Under A Bad Sign. Not long after, they announced their third studio release, Dying Surfer Meets His Maker. Much like the rest of their catalogue, this album truly showcased every member's best abilities. From calm opener Call Me Star to emotional ending track Blood And Sand/Milk And Endless Waters, the album won fans' hearts, and gained the band more well deserved attention. That brings us to their 2016 live release, recorded from a show in Brussels, which contains the band playing older songs as well as another cover, being of Abner Jay's My Middle Name Is The Blues. Keyboardist/violinist Allan van Cleave left the band around this time, shortly replaced by keyboardist Jonathan Draper. Not long after, in February 2017, they came out with another amazing record. Sleeping Through The War made quick success, being a unique, spacey album notably produced by Dave Cobb. It added dynamics and, surprisingly, more atmosphere to what was already a steadily evolving sound from such an active, young band. 2018's self-titled ATW was announced to be the band's first release without a keyboard player, after Draper's departure. This album's characteristics include groovy stoner riffs with blues influence, slowing down and speeding up throughout the LP, ending with the haunting Rob's Dream. Nearly two years later, and after a lot of touring, the band has come out with their latest record, Nothing As The Ideal, recorded at Abbey Road Studios. Harboring a sound akin to that of their single 1X1, this album is by far the group's heaviest--though it does contain softer ballads like Everest and the incredibly emotional Rats in Ruin. On 4/24/2024 they announced through their Bandcamp that founding member and drummer Robby Staebler would be leaving. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.

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…shrink me down again