Allie X

Alexandra Ashley Hughes (born 31 July 1985), known professionally as Allie X, is a Canadian singer, songwriter and visual artist. She began her career as an independent pop artist in Toronto in the mid-2000s, performing with local bands and releasing self-produced material that established her interest in character, control and visual storytelling. After relocating to Los Angeles in 2013, Hughes began collaborating with producers Cirkut and Billboard, officially launching the Allie X project. Read more on Last.fm …read full bio

Alexandra Ashley Hughes (born 31 July 1985), known professionally as Allie X, is a Canadian singer, songwriter and visual artist. She began her career as an independent pop artist in Toronto in the mid-2000s, performing with local bands and releasing self-produced material that established her interest in character, control and visual storytelling. After relocating to Los Angeles in 2013, Hughes began collaborating with producers Cirkut and Billboard, officially launching the Allie X project. Her debut single “Catch” gained critical attention and peaked at number 55 on the Canadian Hot 100 after being publicly praised by Katy Perry, positioning her as a distinctive new voice in alternative pop. CollXtion I (2015) – Debut EP CollXtion I is Allie X’s debut extended play and the first chapter of her CollXtion era. The EP introduces a conceptual pop framework built around fictional characters and emotional detachment, pairing minimalist production with sharp lyrical themes of desire, power and alienation. Tracks such as “Catch” and “Prime” established her signature aesthetic and earned strong critical reception. CollXtion II (2017) – Debut Studio Album CollXtion II serves as Allie X’s first full-length studio album and a direct expansion of the ideas introduced in her debut EP. The album refines her sound into a more polished and cohesive form, exploring obsession, intimacy and identity through sleek pop arrangements and controlled vocal delivery. It was praised for its conceptual unity and solidified her status as a serious album-oriented artist. Super Sunset (2018) – Second EP Super Sunset is Allie X’s second extended play and represents a tonal and emotional shift toward warmth and nostalgia. Influenced by 1980s pop, soft rock and cinematic synths, the EP focuses on vulnerability, longing and romantic idealism. An analog reissue released in 2019 further emphasized the project’s retro sound palette and tactile aesthetic. Cape God (2020) – Second Studio Album Cape God is Allie X’s second studio album and her most overtly conceptual work to date. Set in a fictional coastal town, the album acts as a satirical examination of wealth, power, desire and moral decay. Drawing from new wave and gothic pop influences, the project was widely praised for its world-building, social commentary and atmospheric production. Girl With No Face (2024) – Third Studio Album Girl With No Face marks Allie X’s third studio album and a stark departure from her previous theatricality. Embracing cold synths, post-punk textures and minimal arrangements, the album centers on themes of erasure, autonomy and emotional withdrawal. It was noted for its severity, restraint and deliberate rejection of pop excess. Happiness Is Going To Get You (2025) – Fourth Studio Album Happiness Is Going To Get You is Allie X’s fourth studio album and continues her exploration of control, vulnerability and emotional tension. The project reframes happiness as something intrusive and consuming rather than comforting, blending sharp electronic production with introspective and confrontational lyricism. The album further cemented her reputation as an artist committed to conceptual evolution over commercial safety. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.

User-contributed text is available under the Creative Commons By-SA License and may also be available under the GNU FDL.

…shrink me down again