M.V. Carbon uses fragmented field recordings, analog synthesizers, samplers, tape manipulations, and photosensitive oscillators to assimilate structural chaos and decomposition. She creates eerie and unsettling compositions using her voice as an instrument and processing it through tape machines. She plays cello through tape loops and guitar pedals and occasionally uses 16mm film imagery as a backdrop for her performances. She is interested in the structural decomposition and fragmentation that occurs within architecture
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M.V. Carbon uses fragmented field recordings, analog synthesizers, samplers, tape manipulations, and photosensitive oscillators to assimilate structural chaos and decomposition. She creates eerie and unsettling compositions using her voice as an instrument and processing it through tape machines. She plays cello through tape loops and guitar pedals and occasionally uses 16mm film imagery as a backdrop for her performances. She is interested in the structural decomposition and fragmentation that occurs within architecture, landscape, human physiology, and perception.
She has work released on labels such as 5RC, Load, Hanson, Veglia, No Fun Productions, Nihilist, and Atavistic. Upcoming Release of her new solo album, The Dislodged Perihelion, is to be released in the fall 2009 on Ecstatic Peace.
Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.
User-contributed text is available under the Creative Commons By-SA License and may also be available under the GNU FDL.
…shrink me down again
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