The Eastern Sea

At times, it’s easy for The Eastern Sea to forget that Austin, Texas is home. While the band’s roots are firmly planted in the Texas Hill Country, their dynamic prose-pop travels from location to location, effortlessly moving between distant settings and their own, still somehow foreign, neighborhoods. Created in 2005 as the bedroom project of songwriter/vocalist Matthew Hines, The Eastern Sea quickly developed into a live band and released The Eastern Sea, a collection of two eponymous EPs, in 2008 and 2009 respectively. Read more on Last.fm …read full bio

At times, it’s easy for The Eastern Sea to forget that Austin, Texas is home. While the band’s roots are firmly planted in the Texas Hill Country, their dynamic prose-pop travels from location to location, effortlessly moving between distant settings and their own, still somehow foreign, neighborhoods. Created in 2005 as the bedroom project of songwriter/vocalist Matthew Hines, The Eastern Sea quickly developed into a live band and released The Eastern Sea, a collection of two eponymous EPs, in 2008 and 2009 respectively. Songs such as “The Snow” and “The Name” attracted the band’s first national press and led to several festival appearances (SXSW, CMJ, FPH Summerfest) and a pair of national tours. Starting in 2010, The Eastern Sea began work on their first official LP, Plague (WhiteLabBlackLab), which was recorded to tape by Matt Smith (Ola Podrida, Golden Bear) at HOTTRACKS!!! in Austin. The completed Plague, mastered by Jeff Lipton at Peerless Mastering (Bon Iver, Andrew Bird), represents The Eastern Sea’s most cohesive collection of songs to date. Musically, it combines the hypnotic rhythm of post-rock, the playful melodies of traditional American folk, and the dynamics of contemporary progressive indie-rock. While ornate percussion lies at the heart of Plague, the signature slow builds of poly-rhythm in songs such as “Wasn’t for Love” and “The Match” serve as a launch pad for melodic bass, shimmering keys, finger-picked electric guitar, and expressive trumpet. Lyrically, Hines’ boldly present vocals weave a revealing autobiographical narrative, developing themes of change, transition, and powerlessness over the course of twelve songs. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.

User-contributed text is available under the Creative Commons By-SA License and may also be available under the GNU FDL.

…shrink me down again